May 6, 2017

I’ve been drawing a lot this weekend. I hope Cramhole 6 is getting at least an inch off the ground.


This drawing is for a one-sheet I’m working on to have to pass out at tomorrows screening.


Here’s the flyer one more time in case you’re around tomorrow night. Black Cat 


Also started inking the Cramhole 6 cover.


…And an unfinished page.

Drawing and listening to records…


Jamming to some pre-Dwight Twilley band. Hozac’s archive series is always great.


The pipe indicates this is a good Sunday record with an unusual cover of “Born Under a Bad Sign.” Perfect if you think you’re sick of that song.

Double Feature Picture Show!!!


Join the Cramhole gang on Monday, May 7th as The Black Cat fires up the popcorn machine for a retro-double feature of two influential sci-fi classics. Drink specials and high quality black and white horror will be provided. Cramhole creator Billups Allen will host with candy, an informative one-sheet, copies of Cramhole, and a nice playlist of 50s raunch to play before and between films.  Films that influenced Ridley Scott, John Carpenter, and Tobe Hooper along with the film that scared a young Robert Ebert will make you rethink the sophistication level of 50s sci-fi and horror.

The Black Cat

April 23, 2018

I’m still working on the stuff for previous posts for the new Cramhole, but I’ve started inking a bit. I think I’m gonna do red and black. Red was number one’s color, but I don’t really see this being orange. Sorry orange… I went overboard with this Omen thing. I was really just looking for a 6 for issue six and got carried away. Below is what I’m thinking for the back…


In for a penny I guess. I actually feel I need to start writing Frank back in to the stories.




Ugly Things 47 is out. I reviewed a recent Gal Costa re-issue, along with the Hüsker Dü box set and the fifth volume of the Hillbillies in Hell series. I’m always grateful to get a review or two published in Ugly Things.

And drawing and listening to records…


I did a piece in Cramhole 4 about the bebop saxophone player Aubrey “Brew” Moore. Every few years a new set of performances is released. This is a nice listen for fans of bebop. I’m actually a nephew to Mr. Moore, but I never met him. Still, I think it’s neat when his music gets released.


Total Punk is a favorite label of mine. This full-length on Total Punk is an Ohio band with loads of Devo-esque cronks and pops. Great album. I sent a review to Razorcake. Hope they use it.


I have mixed feelings about RSD releases, but they get me on one or two every year. This is Hawkwind’s UA singles. Some of this has been on a CD comp, but it’s pretty new to me. I’m a suck for this era.


I’ve been trying to keep some dramatics in the air while drawing.





If you read, I’ve been revisiting these short story books by comedian Alexie Sayle. Sayle’s writing could be mined for a Twilight Zone-type show with a bend on comedy. These stories really are great. Very unusual and overlooked writer.




March 23, 2018

I’m working on the cover for Cramhole 6. The “six” took me down quite a hole. I don’t know if I went overboard, but until then I’m going to keep working on this.


Drawing and listening to records…


Gearing up to go to The Black Cat Friday night to see Dead Meadow.


I like drawing to Music in a Doll’s House. I find the drama inspiring. You probably already know, but this album’s release caused The Beatles to switch the title of their 1968 album A Doll’s House to The White Album. That’s a nice piece of trivia.

March 17, 2018


I’ve been working on an article about the San Francisco producer/musician Patrick Cowley for the next Cramhole. I was introduced to Cowley when I was in an band in Brooklyn and the guitarist wanted to cover one of his songs. But they didn’t tell me it was a cover; I just learned the song from the guitarist. I really loved that experience. We recorded a cover without me knowing it was a cover. Cowley was a dance music producer who loved Rock ‘n’ Roll. Sadly, little is written about Cowley’s life, but he was active during an exciting time in both dance music and San Francisco history.
As research, I’ve read Alice Echols’ excellent book Hot Stuff: Disco and the Remaking of American Culture and The Fabulous Sylvester: The Legend, the Music, the Seventies in San Francisco by Joshua Gamson. Both are great books about the era.

I’ve also been inking this page: “It’s Hard Being Blackula” for the next Cramhole.


That script about the Medieval (i spelled Medieval forst try) metal band I wanna do for Cramhole 6 is coming along…

I’ve been calling it Theater Alice, but I’m not sure I’m gonna land on that. I’ve found I’m often bad at naming things. I’ve been jamming with some new people and wanted to call the demo the Afraid to Fart e.p. I think it’s catchy.


I didn’t get into the Damaged City Art Fest even though I received an email saying I was in. That was a bummer. It’s like getting a rejection letter with an attached acceptance letter so you can get a look at what being a winner looks like. Still, I know I’m not a real artist, so I’m content to work on the new Cramhole. Cramhole is about working with other artists, so I hope to get to a point soon where I can hand out scripts and start posting other people’s drawings soon.

Here’s what’s playing while drawing:


This is a classic recently reissued for fans of proto-punk metal. Riff-heavy. I hope to review this for the next Ugly Things.


Good one.


I’ve been really into the trio of albums getting out the unissued Hendrix recordings. Really is great stuff. It’s easy to forget about him because his hits play so often, but these albums have some unique songs and he had a really unique phrasing of the blues.


I still pick up the new Priest records.

March 2, 2018

I’m working on some new drawings for Cramhole 6. So far, segments include:
An American Werewolf in Whitesnake.
An article about San Francisco electronic music innovator, producer Patrick Cowley.

I’m also working on a script about a doom metal band traveling through the dark ages in a Maxx-style delirium. I’m hoping to collaborate with Mikey T on this, but I don’t want to obligate him on the web. Either way, this has been a different sort of thing for me, so I hope to at least get it to a few serial-style pages for the next issue.


I’ve been working slowly on some space-scapes? just for fun. This one was either rejected or accepted for the Damaged City Art Fest. I got an email that I was rejected, and then a few minutes later an email saying I was accepted to the show. I’m so afraid of further rejection I’m just going to ink it with a few others and be surprised if I get called to show up.

Billups Art 1.JPG

I also have some record reviews in the new Ugly Things.

Here are some records I’ve been enjoying while I draw, including a newer band so I can feel hip:

a0991358779_10.jpgmaxresdefault.jpgdownload.jpgany other way_jackie shane.jpg

The League

The League is Billups Allen’s first full-length novel. It follows the struggles of Martin Selby as he overcomes crippling social anxiety and being self-conscious about his weight only to discover there is no real reward in doing so.

Ebook available at Amazon $6.99

The League

Physical copies available from me.


Cramhole #5 – The Curse of Khnum

Cramhole # 5 – The Curse of Khnum

If you thought #4 was arbitrary, #5 will probably throw you as it’s 40-page, long form story with just a few barely competent illustrations by Billups Allen. The story takes place in the near future where seeds from a strain of Ancient Egyptian marijuana escape the Smithsonian and are planted accidentally in Rock Creek Park. The effect on the intelligence of the citizenry is bleak, although it can be hard to tell at times.



Cramhole #4!

Cramhole #4

#4 again follows the vignette format. It has been said to have gone off the rails a bit for including a long article about the obscure bebop sax player Aubrey Moore. I try to think of it as Cramhole's New Yorker phase. Still plenty of vignettes illustrated by artists Christine Cunniff, Laura Harris, Jay Littleton, Josh Baker, and Anne Baker. Also, Mr. Chen returns, probably because he was unemployed at the time. Segments include "Things Overheard at Smash," "What's in the Hold Bin?," and "The Near Misses of Aubrey Moore."


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